![]() The Green Hornet/Kato (Van Williams/Bruce Lee) The Green Hornet Hatori. At night, Reid would don a green mask and fedora, and set out with his masked partner and chauffeur, Kato, to take down crime bosses of the underworld. Curry (Rod Tayor) Dark of the Sun Darcy Walker/Black Scorpion (Joan Severance). He was the crime-fighting alter ego of Britt Reid, a wealthy young newspaper publisher. The Green Hornet character was originally featured in a 1936 radio program. ![]() But in the meantime, several pictures of it are included in our slideshow. The car is on display at the Petersen Automotive Museum in Los Angeles, so you could check it out in person. The Black Beauty from the television series is also a modified Chrysler Imperial, but it is a 1966 model. He is negotiating with the high bidder to see if they can agree on a better price, Livingston said. Reviewers on Leafly say this strain makes them feel energetic, euphoric, and creative. The car's owner, collector Jerry Wallace of Los Angeles, was hoping for a price in the range of $100,000 or $120,000. Following the death of his father, Britt Reid, heir to his fathers large company, teams up with his late dads assistant Kato to become a masked crime fighting team. With Seth Rogen, Jay Chou, Cameron Diaz, Tom Wilkinson. The auction ended July 26 with a high bid of $61,174, which wasn't enough for a sale to go through, said Bobby Livingston, vice president of RR Auction. The Green Hornet: Directed by Michel Gondry. Only two complete cars with all the modifications survived the filming.īids on Black Beauty were taken online at RR Auction's website. There were about 29 Black Beauty cars used in the production of the "Green Hornet" movie, but most of them featured only some of the cosmetic enhancements as they were used for stunts or interior shots. The dashboard glows different colors for effect.Īll the labels for the gadgets are written in Chinese, presumably because the Black Beauty was driven mainly by Green Hornet's trusty sidekick Kato, played by Jay Chou in the movie and by martial arts legend Bruce Lee in the television series. The Rod Hardy-directed film aired on FOX-TV on May 26, 1998. It has also been fitted with as many switches, knobs and dials as a B-52 bomber cockpit, including special controls on the steering wheel for the hood-mounted machine guns. The title was again changed to Green Hornet, Racket Buster with issue 44 (March 1949). The interior has the original black leather seats and headliner. cluttering the dashboard are labeled in Chinese., so be careful not to mistake the switch for the machine gun with the one for the windshield wipers. Overall, this is an enjoyable and memorable serial that fans of old sci-fi will want to seek out.The interior of the Black Beauty is like no other Chrysler Imperial. Although in one sense this is an improvement, it also removes some of the quirky fun. The acting and special effects both seem somewhat more polished than in the first serial. Although the world of Mars is not as diverse as Mongo's (Lionmen, Sharkmen, Hawkmen), the Clay People are a sad and interesting race. The plot is primarily action-driven the romantic story angles that percolated through the first series are virtually absent here. The storyline is interesting, although things do drag a bit during the second half of the serial. ![]() (This may reflect my disapproval of her transformation from a blonde to a short-haired brunette and her censor-demanded, conservative garb!) The new comic-relief journalist character (not present in the original comic strip), "Happy" Hapgood, seems to be a bit of a miscalculation, but his role falls far short of "Jar-Jar" level distraction. Jean Rogers (Dale Arden) seems more subdued and less memorable than in her previous outing. In particular, Buster Crabbe (Flash) and Charles Middleton (Ming) portray their characters with a great deal of flair. In Flash Gordon's Trip to Mars, many of the actors from the first serial return in their memorable roles. I question the plausibility of some of the plot elements, and wince at some of the social commentary that hasn't aged particularly well. ![]() I roll my eyes at some of the overacting while secretly cherishing it. I marvel at the ingenious and original sci-fi elements, while chuckling at some of the increasingly dated technology and special effects. I revel in the swashbuckling fun and the intensity of the experience. Some of my reactions to Flash Gordon serials (such as this one) are similar to my feelings about the original Star Trek series.
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